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	<title>ALAN Online &#187; News</title>
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	<link>http://www.alan-ya.org</link>
	<description>Official Site of the Assembly on Literature for Adolescents</description>
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		<title>ALAN 2012 Workshop  Break-out Session Proposal Form</title>
		<link>http://www.alan-ya.org/2011/12/alan-2012-workshop-break-out-session-proposal-form/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alan-2012-workshop-break-out-session-proposal-form</link>
		<comments>http://www.alan-ya.org/2011/12/alan-2012-workshop-break-out-session-proposal-form/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 14:26:57 +0000</pubDate>
		<dc:creator>David Macinnis Gill</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Slides for Homepage]]></category>

		<guid isPermaLink="false">http://www.alan-ya.org/?p=1212</guid>
		<description><![CDATA[The theme for the 2012 ALAN workshop is “Reaching Them All, ALAN Has Books for Everyone”&#8211;books for boys, books for girls, for challenged readers, brilliant readers, for fantasy readers, for science-fiction readers, reality lovers, LGBTQ teens, teens in other countries, teens from other countries who now live here, Christian kids, Jewish kids, Muslim kids, non-believing]]></description>
			<content:encoded><![CDATA[<p>The theme for the 2012 ALAN workshop is “Reaching Them All, ALAN Has Books for Everyone”&#8211;books for boys, books for girls, for challenged readers, brilliant readers, for fantasy readers, for science-fiction readers, reality lovers, LGBTQ teens, teens in other countries, teens from other countries who now live here, Christian kids, Jewish kids, Muslim kids, non-believing kids, kids with problems at home&#8211;alcoholism, illnesses, incest, divorce&#8211;as well as kids from happy, fun-loving homes, from family units with one mom or one dad or both or grandparents or two moms or two dads, teens who live in cyberspace, teens who can&#8217;t afford a computer&#8211;YOUNG ADULTS, ALL YOUNG ADULTS.</p>
<p>The 2012 ALAN Workshop will present a different format. All Educator Break-outs will occur on Monday afternoon. All Author Break-outs will be on Tuesday afternoon. (Note: Authors, please indicate your publisher’s name and whether or not your publisher has agreed to support your participation if you are selected.) Preference will be given to those who did not present in 2011. All applicants must be ALAN members.</p>
<p>Proposals must include:<br />
Session Title:<br />
Description and Purpose of Break-out Session (including proposed target audience if not in title). Submit proposal on separate sheet&#8211;250 words or fewer. </p>
<p>Name of Session Chair:<br />
Street Address, Email Address, Telephone Number, Institutional Affiliation and position or publisher.<br />
Presenter(s) for Session, plus their affiliations/publisher</p>
<p>Electronic submissions should be sent to <a href="javascript:DeCryptX('dkcpuu738Ahnbjm/dpn')">cjbott627 [at] gmail [dot] com</a>  Please use ALAN Breakout in the subject line. Proposals are due no later than midnight of Friday, JANUARY 6, 2012. If proposals are not submitted electronically, please mail your proposal to cj bott, 34540 Sherbrook Park Drive, Solon, Ohio 44139, no later than Wednesday, January 4, 2012. </p>
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		<title>ALAN Mission Statement</title>
		<link>http://www.alan-ya.org/2011/12/alan-mission-statement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alan-mission-statement</link>
		<comments>http://www.alan-ya.org/2011/12/alan-mission-statement/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 20:37:42 +0000</pubDate>
		<dc:creator>David Macinnis Gill</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.alan-ya.org/?p=1210</guid>
		<description><![CDATA[ALAN Mission Statement
The Assembly on Literature for Adolescents of the National Council of Teachers of English:
•	Defines young adult literature as works in a wide variety of genres and forms, including multi-media formats, with topics relevant to the interests and needs of young people in middle and high school.
•	Promotes the inclusion of young adult literature as]]></description>
			<content:encoded><![CDATA[<p>ALAN Mission Statement</p>
<p>The Assembly on Literature for Adolescents of the National Council of Teachers of English:<br />
•	Defines young adult literature as works in a wide variety of genres and forms, including multi-media formats, with topics relevant to the interests and needs of young people in middle and high school.<br />
•	Promotes the inclusion of young adult literature as a bridge to other curricular works and as a stand-alone curricular selection in both the English language arts program and across the curriculum.<br />
•	Supports educators and librarians in their use of the literature, advocates the right to read the literature, and defends freedom of choice for independent reading, inclusion in classrooms, presence in library collections, and in book clubs.<br />
•	Provides opportunities for teachers, librarians, teacher educators, and others involved in the use of young adult literature to enhance their practice and teaches the educational community and general public about the value of this literature.<br />
•	Celebrates the ever-changing nature of the field and welcomes artistic innovation, experimentation, and risk-taking by authors, publishers, and others involved in the creation of young adult literature.<br />
•	Evaluates young adult literature on its individual merits and in the context of larger bodies of literature as appropriate and engages in ongoing rethinking of the literary canon.<br />
•	Cooperates with other organizations that advocate similar goals and objectives.</p>
<p>March 8, 2011</p>
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		<title>Under the Radar Nov 2011</title>
		<link>http://www.alan-ya.org/2011/11/under-the-radar-nov-2011/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=under-the-radar-nov-2011</link>
		<comments>http://www.alan-ya.org/2011/11/under-the-radar-nov-2011/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 00:45:50 +0000</pubDate>
		<dc:creator>Ricki Ginsberg</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.alan-ya.org/?p=1201</guid>
		<description><![CDATA[
Under the Radar: Cinco Puntos Press’s The Blood Lie and This Thing Called the Future
 presented for your enjoyment by James Bucky Carter, CJ Bott, and Ricki Ginsberg
Introduction:
Bucky: When CJ Bott asked Ricki and me to be part of Under the Radar, I knew I wanted to accomplish two things. I wanted to eventually talk about]]></description>
			<content:encoded><![CDATA[<div><img id="internal-source-marker_0.7713497879449278" src="https://lh4.googleusercontent.com/F0mspJ8fhRNxjCiXtaPeTHb0inYUTIqyaNkMxUYAjLJLbyn4Nzd8MGYW6BP1k-g3xYdyahlaLP8JSSKdcjfmGVQyrY-S4M2-vp33wEkzKMckOtilodc" alt="" width="504px;" height="144px;" /><br />
Under the Radar: Cinco Puntos Press’s The Blood Lie and This Thing Called the Future</div>
<div> presented for your enjoyment by James Bucky Carter, CJ Bott, and Ricki Ginsberg</p>
<p>Introduction:<br />
Bucky: When CJ Bott asked Ricki and me to be part of Under the Radar, I knew I wanted to accomplish two things. I wanted to eventually talk about some graphic novels, and I wanted to spotlight the small press publisher in my current home city. Herein, and with the help of my fellow UTR-ers, I am pleased to offer evidence of meeting the latter goal. Cinco Puntos press is an independent publisher of multicultural literature for all audiences. The press, located in downtown El Paso, welcomes student visitors to its location and often comes to the local university, The University of Texas at El Paso (where I am employed), to give students an insider’s look at publishing. Among their current young adult authors are Benjamin Alire Seanz, author of books like Last Night I Sang to the Monster, a staple in my YA courses, and Sammy and Juliana in Hollywood; Luis Alberto Urrea, who, along with Christopher Cardinale, crafted the magical graphic novel Mr. Mendoza’s Paintbrush, a story with appeal to children’s and young adult literature readers; and Claudia Guadalupe Martinez, whose The Smell of Old Lady Perfume  features a young girl dealing with the border issues of adolescence and adulthood and the literal border of El Paso, TX, and Ciudad Juarez, MX, which just happens to be near where Cinco Puntos is located as well.<span id="more-1201"></span></p>
<p>In 2011, Cinco Puntos welcomes two new authors of young adult literature. Shirley Reva Vernick published The Blood Lie with the press, and J.L. Powers offers This Thing Called the Future.</p>
<p>Whenever I teach a course on Young Adult literature, I always share Kenneth L. Donelson and Alleen Pace Nilsen’s criteria for what constitutes the best of the best of adolescent literature. I draw this information from the seventh edition of Literature for Today’s Young Adults.  Doing so allows us a frame to apply to each of the books we read. Below. CJ, Ricki, and I apply the criteria to the two titles mentioned above.<br />
<img src="https://lh5.googleusercontent.com/pWURHH8Uwl1qLQ4b-CQzhzVx5monr_wn8o2Jam0xKf9eUgGAMic1BMFprm4pFZObpSAoak6Ik4W5UH3HyotLevpVKTOw3SR73uBXE4mFKCgNG7gXYbc" alt="" width="200px;" height="215px;" /></div>
<div>
<p dir="ltr">The Blood Lie</p>
<p>Jack Pool, the oldest son of Jewish Russian immigrants, turned sixteen on September 22, 1928. All he could think about was earning a day off of work, getting his license, travelling to Syracuse to study cello, and spending time with his crush, Emaline Durham. When Daisy, Emaline’s four-year-old sister, goes missing directly after being under Jack’s supervision, the people of Massena, New York, begin to worry. With the help of an anti-semitic hooch runner who needs the woods cleared of would-be-heroes so he can secure a delivery of booze, worry becomes fanatical hate, and Jack finds himself guilty before proven innocent, along with the other Jewish citizens of his small town. The Blood Lie is Shirley Reva Vernick’s meditation on hate as wildfire.</p>
<p>Characteristic 1: Written from the point of view of a young person<br />
Bucky: The book is written in the third person and stays with it consistently. We’re certainly in Jack’s head most of the time, and we get insight into the thought processes of other kids and teens too, but The Blood Lie is driven mostly by dialogue and the narrator’s description.<br />
Ricki: I agree that Jack’s voice is the most important narrative, as he is the protagonist. However, I found it interesting and enlightening to hear Emaline’s narrative as well, also told in the third person.<br />
CJ: Hearing Jack’s young, hopeful, determined, anxious, but proud voice was very important to me when I read this book, but the other voices also added to my understanding of the time, the prejudices, and the boundaries Jack faced and would continue to face in his life.  However, it was the voice of the bigot, though it was needed, that created the conflict and, therefore, the story.</p>
<p>Characteristic 2: The young person or people in the story are able to take credit for their accomplishments.<br />
Bucky: Jack is a skilled musician, and he hopes to escape Massena for a larger town. We have no reason to assume he won’t get what he’s looking for based on his talent, though he worries that society’s prejudices may follow him wherever he goes. Toward the end of the novel, he seems to have internalized some of the antisemitic sentiment of his neighbors and worries that no matter what he does in life, he may never be able to experience full credit in a positive sense because of his identity as a Jew. He does get credit for being a hero in an intriguingly subversive scene involving a rabbi who is grateful for his quick-thinking, but even then, his accomplishment can’t be named and celebrated directly or overtly.</p>
<p>Characteristic 3: The narrative is fast-paced.<br />
Bucky: I would call this a novella, though it is being marketed as a novel. The pace is very quick and picks up speed as the story develops. Perhaps Vernick is using pace as a technique to illustrate how quickly misinformation spreads and the deleterious results it can have when a town’s majority population seems poised to need nothing more than a good excuse to hate its minority neighbors.<br />
Ricki: I agree, Bucky. The narrative moves at a fast pace, which will certainly appeal to teens. It only took me about ten pages to become engrossed in Jack’s story. I was able to read the entire book in one sitting, and I didn’t want to put it down. I think the book will hook many readers.<br />
CJ: The book is fast-paced in some places but comfortably slow in others, which gave me a break in the intensity. On my second read, I found so many things I had missed on the first read.</p>
<p>Characteristic 4: Includes a variety of genres and subjects<br />
Bucky: I always apply this characteristic to a sample of YA Lit rather to any one title.<br />
Ricki: Yes, this novella is most obviously a work of historical fiction. However, it can also be classified as a mystery, in my opinion. I loved the Author’s Note at the end, where the author tells a folktale.</p>
<p>Characteristic 5: Addresses diversity in some way<br />
Bucky: While I get the impression that most of the town is Caucasian, there is religious diversity in that we have characters who identify as either Jewish or of any number of Christian denominations. Many of the residents are immigrants or first-generations Americans. Jack’s father emigrated from Russia. Rabbi Abram is from Lithuania. Several other European nations are mentioned as former homelands.<br />
Ricki: In addition to the religious diversity, there is a great diversity with the ages of the key players. Some of the narrative voices of the story are: Jack (a teenage boy who is Jewish), his mother, Emaline (a teenage girl who is a Christian), and her mother. The differences in the ages of the characters influences their values and understanding of the world.<br />
CJ: Do not forget Gus, hardly a religious man, who is so interested in saving his illegal shipment of booze that he stirs up a religious conflict that the town will probably never escape. Or the wonderful Rabbi Abrams who holds fast to his faith when being bitter would have been far too easy. This book, the town contain Christians, Jews, religiously uninvolved, old, young, and descendants from many countries, much like life.</p>
<p>Characteristic 6: The text is basically optimistic (coming of age; change; transformation;  silver lining; sense of becoming; glimpses of possibilities)<br />
Bucky: The last scene with Emaline and Jack really plays with this notion of the silver lining. On the one hand, Jack will get to travel to Syracuse to audition for the music school there. On the other, no social progress seems to have been made in his town; the world isn’t a better place to live in. All of this is, of course, illustrated by an opportune puff of smoke and what can only transpire as the two are enveloped in its opaqueness.<br />
Ricki: The text is optimistic in that Jack and Emaline both seem to learn and grow from the circumstances of the novel. They both display a strong maturity when they realize they cannot be together due to societal constraints. The advancement of the town did not give me a sense of optimism, but I think it would be wrong for the book to convey this message. The book is very realistic to the time period. I found Mrs. Pool’s ability to forgive to be incredibly admirable and very optimistic, and this gave me a sense of hope.<br />
CJ: There is hope in the fact that Eva Pool and Jennie Durham long ago became friends respectful of the other’s spiritual beliefs and implanted that virtue in their children. Small steps are needed when reshaping the values history has implanted.</p>
<p>Characteristic 7: The text deals with emotions important to young people.<br />
Bucky: The star-crossed romance between Jack and Emaline may strike many as frustrating. We get the feeling that even before the town’s recent embarrassment, there were social divisions regarding who could court whom. The two share a mutual attraction, but Emaline knows that some lines aren’t to be “crossed,” as is evident when Jack notices the crucifix around her neck at the exact time she tells him she wishes things could be different, but they’re not. The text also features a host of family dynamics and will, most likely, get kids thinking about how parenting styles have changed over the generations. Basic emotions like hate, love, anger, disappointment and forgiveness are apparent, but not specific to young people, of course. Still, I think The Blood Lie captures the attention easily and will give all readers plenty to consider.<br />
Ricki: I think Bucky does a great job surveying a few of the numerous themes of this book. As a teacher, I can’t help but think about how this would fit into my classroom. I’ve already considered pairing it with Night by Elie Wiesel and A Long Way Gone by Ishmael Beah. My tenth grade curriculum focuses on tolerance, and I focus much of my class on genocide (current and past). This book shows how genocide begins&#8211;with hate. I appreciated that the love story isn’t the primary focus of the novel. It would be easy for me to use this book for students to make connections with their own lives. Teens always have to deal with rumors, and this book tells just how detrimental a rumor can be on a young person’s life.<br />
CJ: The religious prejudices in this book can easily apply to current events around the world. Consider Darfur or Sudan; consider the harassment of Muslims in the our country, and how many Muslims, though loyal to the true essence of their faith, are treated like terrorists.  The book would also fit into a unit on bullying. Gus Poulos is a classic bully. History is littered with bullies.</p>
<p dir="ltr">This Thing Called the Future</p>
<p>Khosi lives in South Africa and is proud of her Zulu culture. But the modern world is with her as well. She is surrounded by billboards about AIDs. One in every four people in her area have HIV, and she is dismayed by locals’ reactions to the disease. When her mother falls ill, she tries to avoid the whispers in church. After she believes her neighbor has set a curse on her family, she isn&#8217;t sure if she should follow modern or traditional beliefs. Should she become a healer or a nurse? And, how will she ever avoid the drunk man in town who is trying to attack her every time she walks alone?</p>
<p>Characteristic 1: Written from the point of view of a young person<br />
Ricki: The novel is written from the first-person point-of-view of Khosi, a young girl who lives in South Africa. I found her to be a strong female, and readers will, likely, be very sympathetic toward her. I was rooting for her as she navigated the difficult circumstances that exist within this generation of young people in South Africa.<br />
CJ: This truly is Khosi’s story; she is the only one who knows all parts of it. A secret keeper, she only shares those secrets with the reader.<br />
Bucky: Khosi is a deep-thinking, reflective, mature girl who quickly establishes an intimate relationship with the reader. As CJ suggests, the reader gains a quick liking for and investment in her life. Powers does a great job at establishing a strong, unique voice from a lead character that one can’t help but admire.</p>
<p>Characteristic 2: The young person or people in the story are able to take credit for their accomplishments.<br />
Bucky: Khosi must decide for herself how she will balance her ancestry and modernity. Certainly, as she completes an exquisitely-written vision quest/fever dream, she must take charge to decide her fate.<br />
CJ: She can certainly take credit for her school accomplishments, but she must hide the part of her which connects with her ancestors, particularly her grandfather who died the day Khosi was born. Gogo, her grandmother, sees Khosi spiritual ways and knows the ancestors are guiding her, but Khosi must learn how to call them when she needs their help. Because of the environment, there seems to be many layers of secrecy in this book, and Khosi hides nearly as much from her mother as her mother hides from the family.</p>
<p>Characteristic 3: The narrative is fast-paced.<br />
Bucky: The narrative has a good pace. It’s steady and has a rhythm but does not always move quickly. This is not a critique, though. Powers does such a great job of getting us into Khosi’s head and letting us feeling her uncertainties and worries and angst about self-defining decisions she must make and how she will react to the decisions of those close to her, that when the narrative is not quick, we understand why. But, when its time for action, the pace is swift and exciting. I have to say that Chapter 36, “Battle,” was one of the most enticingly intense scenes I have read in recent years.  So, while I won’t say the novel is fast-paced for 213 pages, I will say it is well-paced.<br />
CJ: I agree, while it does some fast forward and a bit of slow motion, so much of the book is in Khosi’s mind or in scenes she can’t tell anyone about that the action ebbs and flows, but like the plot, the action comes through in so many layers.</p>
<p>Characteristic 4: Includes a variety of genres and subjects<br />
Ricki: This novel is a realistic fiction. Teens in the United States will be able to learn about a new culture, as well, so it could fit in the genre of multicultural literature.<br />
Bucky: I like that while it is realistic, there are so many elements of the spiritual and supernatural too. Readers might enjoy deciding for themselves if some of the more mystical elements can be explained by science or something else. Does everything have to have a logical explanation? Subjects or themes explored include sibling and family relationships; conflict between ancient cultural practices and contemporary society; puppy love; coming of age, and more. While the story is a bildungsroman, it bridges the space between literary realism, magical realism, and the more metaphysical “fever dream” element of many vision quests.<br />
CJ: Well said, Bucky.</p>
<p>Characteristic 5: Addresses diversity in some way<br />
Ricki: Absolutely. Many young adults are very sheltered from the lives of other young adults in different countries. I think the author aimed to teach, and she succeeded. This book will be incredibly enlightening to teenagers, many of whom don’t understand how HIV/AIDS has impacted their peers in Africa. Within the novel, there is diversity between characters, as well. Some members of society believe in traditional medicine, while others place their faith in more modern science. Khosi is torn between these two worlds.<br />
Bucky: Agreed. HIV/AIDS gets swept under the rug a lot in the United States nowadays, and we don’t often think about how disease and globalization and modernization are all intertwined.There is some socioeconomic diversity apparent as well. Indeed, it is an economic impulse that provides for one of the more shocking revelations of the novel. Also, how many YA novels are there out there set in South Africa? Obviously more than I know about, but this one is such a detailed and artfully-crafted text that I felt like I was learning much about a nation  and its people. I was enthralled with the dynamics and tensions among cultural customs.  The glossary of Zulu words helped immensely and, just like Khosi’s narrative, offered a sense of “insider information.”<br />
CJ: It saddens me to think so many people in our world are ignorant of the AIDS crisis in Africa. Forty-three years ago I lost my best friend to AIDS. It was such a secret because we had so little understanding of it then. In this country, we have more understanding now, but less awareness of the rest of the world.<br />
There were many levels of diversity in this Powers book as there were in her book, The Confessional, also an incredibly structured, richly-drawn book filled with varied and wonderful characters.<br />
This book would be a good cross-over in a class studying African history, world history, the AIDS crisis, or world religions.</p>
<p>Characteristic 6: The text is basically optimistic (coming of age; change; transformation;  silver lining; sense of becoming; glimpses of possibilities)<br />
Ricki: Similar to The Blood Lie, I didn’t find the setting of the story to be very optimistic. My stomach turned as the drunk man tried to grope Khosi. My heart hurt for her as she was unsure of her mother’s diagnosis. However, Khosi’s strength is incredibly admirable, which gives me a sense of hope. She has strong family values and is passionate about helping her country. Therefore, for me, the book shows optimism in the face of tragedy. Khosi comes into her own as she navigates the waters of maturity, and she certainly develops and grows emotionally in her journey.<br />
CJ: I would have trouble calling this book optimistic. It is real and gritty and worldly, and the fact that Khosi survives is the only sense of hope I found.<br />
Bucky: Yes. In a nation that has been so defined by black and white, Khosi sees that most of life is lived in the middle ground. Good people have to make difficult choices that, if made public, might call into question their nature. Mysticism does mix with modernity, as some things have easy explanations while others do not. Khosi ends the text by looking ahead. She knows the past can’t be changed, even when aspects of it seems channeled through her. She recognizes the ambiguity of life as part of life. “There is only this thing called the future,” she says, with agency but knowledge that the known and unexplainable will always find ways to intersect.</p>
<p>Characteristic 7: The text deals with emotions important to young people.<br />
Ricki: Khosi tackles issues that concern teens all around the world, including conflicts with family, doubts of religion, poor choices of friends, new relationships, and sickness of loved ones. The story is very honest in that Khosi isn’t always sure she is making the right choice, but she allows her heart to guide her. She is a great role model for young adults.<br />
Bucky: Khosi’s adoration for Little Man is sweet and sincere. Many teens will be able to relate to the strong crush and attraction they share. Heck, it even made this old fogey remember the rush of intense feelings associated with young love. Khosi also has responsibilities that many will see reflected in their own lives. She has chores and helps take care of her little sister, for example, and she has to deal with her coming of age as she is taking care of family as well. While Khosi may not live in what many readers might think of as modern society, her life is every bit as hectic and complicated and full as many teens’ today. She might be fighting spirits and witches instead of balancing soccer and ballet, but Khosi has a very full plate and struggles to keep it all going smoothly.<br />
CJ: There are so many ways this book can connect with young people and how the reader chooses to participate in The Thing Called the Future will ultimately reveal much more about the reader than this text that calls for discussion, sharing, savoring.</p>
<p>Final Thoughts:<br />
Bucky: While we hope you’ll read each of these texts and decide for yourself whether they constitute works among the best of the best of Young Adult literature, we found that both books met many of Donelson and Nilsen’s criteria points in intriguing, thought-provoking ways. Check out The Blood Lie and This Thing Called the Future, both 2011 releases from El Paso’s own Cinco Puntos Press, and be intrigued for yourself!</p></div>
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		<title>ALAN Review Call for Submissions</title>
		<link>http://www.alan-ya.org/2011/11/alan-review-call-for-submissions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alan-review-call-for-submissions</link>
		<comments>http://www.alan-ya.org/2011/11/alan-review-call-for-submissions/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 00:42:13 +0000</pubDate>
		<dc:creator>David Macinnis Gill</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.alan-ya.org/?p=1198</guid>
		<description><![CDATA[TAR Fall 2012 Theme: Poetry and Young Adult Literature
Billy Collins says that he wants to “walk inside the poem&#8217;s room.” Marianne Moore wants “imaginary gardens with real toads in them.” Poetry in all its varied forms is used in a myriad of ways in young adult literature. Some authors (Karen Hesse, Ellen Hopkins, Virginia Euwer]]></description>
			<content:encoded><![CDATA[<p><strong>TAR Fall 2012 Theme: Poetry and Young Adult Literature</strong><br />
Billy Collins says that he wants to “walk inside the poem&#8217;s room.” Marianne Moore wants “imaginary gardens with real toads in them.” Poetry in all its varied forms is used in a myriad of ways in young adult literature. Some authors (Karen Hesse, Ellen Hopkins, Virginia Euwer Wolff, Mel Glenn) create novels in verse while other authors (Jacqueline Woodson, Nikki Grimes, Sharon Flake) weave poetry into their prose. Other authors write collections of poems for adolescents (Gary Soto, Rita Dove, Paul Janeczko). Adolescent readers can take many, many paths to poetry in YAL. The theme of this issue invites us to consider the ways in which we can walk inside a poem’s room or find that imaginary garden with adolescents. What is it about poetry that grabs adolescent readers? Many young adult authors are experimenting with the ways in which they use poetry to tell their stories; how does this help adolescent readers and writers? How does the way in which authors use poetry to tell complex narratives push adolescents to be stronger readers? This theme is meant to be open to interpretation, and we welcome manuscripts addressing pedagogy as well as theoretical concerns. General submissions are also welcome. March 1 submission deadline.</p>
<p><strong>TAR Winter 2013 Theme: Flash Back-Forge Ahead: Dynamism and Transformation in Young Adult Literature</strong><br />
In her Fall 2011 President’s Column, Wendy Glenn reflects that our field manages to “successfully shift and sway with time and changing elements, while maintaining a core commitment to young people and the books written for them.” For this call, we wonder, like Glenn, what topics, voices, and forms have shaped our field and what we anticipate those future ones will be. What titles endure and why? Which ones are poised to become readers’ favorites? As we pursue the next trend in young adult literature, what should we be careful not to lose? What will our future roles as young adult literature advocates be and with whom should we be forging relationships? This theme is meant to be open to interpretation, and we welcome manuscripts addressing pedagogy as well as theoretical concerns. General submissions are also welcome. July 1 submission deadline.</p>
<p><strong>TAR Summer 2013 Theme:</strong> 40th Anniversary Issue. While we will be soliciting articles from past ALAN presidents and editors as well as influential young adult authors, we welcome submissions which reflect on the past forty years of ALAN. November 1 deadline.</p>
<p><strong>TAR Fall 2013 Theme:</strong> Reading and Using Nonfiction Young Adult Literature<br />
So often our schools tend to privilege the reading of fiction over the reading of nonfiction. But what about those kids who want to read something other than the novels we assign? What about the students who crave nonfiction? The theme of this issue asks us to consider the role of nonfiction in the classroom and in the personal choice reading of adolescents. What is it about nonfiction that grabs students? What role can/should nonfiction ply in classrooms? What nonfiction have you used that empowered adolescents? What is it that we must consider or celebrate when teach/use/recommend nonfiction? This theme is meant to be open to interpretation, and we welcome manuscripts addressing pedagogy as well as theoretical concerns. General submissions are also welcome. March 1 submission deadline.</p>
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		<title>ALAN Workshop Handouts</title>
		<link>http://www.alan-ya.org/2011/10/alan-workshop-handouts/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alan-workshop-handouts</link>
		<comments>http://www.alan-ya.org/2011/10/alan-workshop-handouts/#comments</comments>
		<pubDate>Sun, 30 Oct 2011 17:46:48 +0000</pubDate>
		<dc:creator>David Macinnis Gill</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[ALAN breakout session handouts will be participants to download as desired. If you are an ALAN speaker, please email handouts to the address provided by Wendy Glenn.
Select handouts for breakout sessions are available here:


“Forging Ahead by Collaborating with Content Area Content Colleagues in the Arts&#8221;&#8211;Bull, Stover, &#38; Kaplan
&#8220;The Intersection of Sport, Education, and Society in]]></description>
			<content:encoded><![CDATA[<p>ALAN breakout session handouts will be participants to download as desired. If you are an ALAN speaker, please email handouts to the address provided by Wendy Glenn.</p>
<p>Select handouts for breakout sessions are available here:</p>
<ul>
<ul>
<li><a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/10/ALAN-2011-Kaplan-Stover-Handout.docx">“Forging Ahead by Collaborating with Content Area Content Colleagues in the Arts&#8221;&#8211;Bull, Stover, &amp; Kaplan</a></li>
<li><a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/10/ALAN-2011-The-Intersection-of-Sport-Education-and-Society-handout.doc">&#8220;The Intersection of Sport, Education, and Society in Young Adult Literature&#8221;&#8211;Alan Brown</a></li>
<li>&#8220;<a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/10/Loving-the-Prequel-Underland-Chronicles-and-Hunger-Games-Handout.docx">Flash Back: Forge Ahead</a>&#8220;&#8211;Laurie Friedrich</li>
<li>&#8220;Traversing the Boundary Between Insider and Outsider: Learning a Language and Culture and Helping Shape the Future.&#8221;&#8211;Neesha Meminger <a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/11/JazzinLove-Discussion-Guide.pdf">#1</a> and <a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/11/Shine-Discussion-GuidePDF.pdf">#2</a></li>
<li><em>Forging Ahead: Proposing, Designing, Teaching and Defending a High School Young Adult Literature Elective. </em><a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/11/YA-Lit-Course-2.ppt">1</a>, <a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/11/YA-Lit-Course-3.pdf">2</a>, &amp; <a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/11/YA-Lit-Course-1.pdf">3</a>&#8211;Ricki Ginsberg, Tiffany Smith, Carrie Melnychenko, Leslie DesJardin</li>
<li>&#8220;<a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/11/What-How-Why-YAL-Course-Handout.pdf">The Undergraduate YA Lit Course:What? How? Why</a>?&#8221;&#8211;Bill Broz &amp; Amy Cummins</li>
</ul>
</ul>
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		<title>Call for Walden Award Committee</title>
		<link>http://www.alan-ya.org/2011/08/call-for-walden-award-committee/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=call-for-walden-award-committee</link>
		<comments>http://www.alan-ya.org/2011/08/call-for-walden-award-committee/#comments</comments>
		<pubDate>Fri, 12 Aug 2011 22:32:53 +0000</pubDate>
		<dc:creator>Ricki Ginsberg</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Slides for Homepage]]></category>
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		<category><![CDATA[aewa]]></category>
		<category><![CDATA[walden award]]></category>

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		<description><![CDATA[
Call for 2012 Amelia Elizabeth Walden Award Selection Committee Members
Those interested in serving on the ALAN Amelia Elizabeth Walden Award Committee may self-nominate by completing a self-nomination form.  Members of the selection committee must be: 1) ALAN members and 2) classroom teachers, university professors, or librarians.  To avoid potential conflicts of interest, authors and publishers]]></description>
			<content:encoded><![CDATA[<div>
<p id="internal-source-marker_0.027742013335227966" dir="ltr"><strong>Call for 2012 Amelia Elizabeth Walden Award Selection Committee Members</strong></p>
<p dir="ltr">Those interested in serving on the ALAN Amelia Elizabeth Walden Award Committee may self-nominate by completing a self-nomination form. <span id="more-1068"></span> Members of the selection committee must be: 1) ALAN members and 2) classroom teachers, university professors, or librarians.  To avoid potential conflicts of interest, authors and publishers are not eligible to apply.</p>
<p dir="ltr">To participate in the selection of the 2012 winner, please send completed self-nomination forms to Ricki Ginsberg (<a href="javascript:DeCryptX('sjdljhjotcfshAhnbjm/dpn')">rickiginsberg [at] gmail [dot] com</a>), the 2012 Amelia Elizabeth Walden Award Committee Chair, by September 15, 2011.  For more information about the award and to download the self-nomination form, please visit the following document link: http://www.alan-ya.org/wordpress/wp-content/uploads/2011/08/Walden_Award_Committee_Self_Nomination_Form-2011-12.doc</p>
<p dir="ltr">Service on the committee requires a commitment to reading a wide range of YA fiction and consulting with other committee members.  All of the committee work is done in an online forum.  Access to the internet is essential.  Ability to read critically is also important.   It is expected that deadlines be met and that all committee members are active discussants during the process.</p>
<p dir="ltr">The Committee Chair, striving for wide representation of members in terms of professional position, grade level of population served, and geographic diversity, will extend an invitation to potential committee members who show an interest in serving.  Those selected will serve for one year with the possibility of reappointment.</p>
</div>
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		<title>Censorship and Challenges</title>
		<link>http://www.alan-ya.org/2011/08/censorship-and-challenges/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=censorship-and-challenges</link>
		<comments>http://www.alan-ya.org/2011/08/censorship-and-challenges/#comments</comments>
		<pubDate>Wed, 10 Aug 2011 21:46:36 +0000</pubDate>
		<dc:creator>David Macinnis Gill</dc:creator>
				<category><![CDATA[Info]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[challenged materials]]></category>

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		<description><![CDATA[Are you facing a censorship case?  Afre the materials in your classroom or library being challenged? You are not alone! There is help for you from professional organizations. We have collected links directly from three national organizations&#8211;the National Council of Teachers of English, the American Library Association, and the National Coalition Against Censorship&#8211;to give you]]></description>
			<content:encoded><![CDATA[<p>Are you facing a censorship case?  Afre the materials in your classroom or library being challenged? You are not alone! There is help for you from professional organizations. We have collected links directly from three national organizations&#8211;the National Council of Teachers of English, the American Library Association, and the National Coalition Against Censorship&#8211;to give you a starting place in dealing with censorship challenges.</p>
<p><span style="color: #ff0000;"><strong>FROM NCTE (from http://www.ncte.org/action/anti-censorship):</strong></span></p>
<p>&#8220;NCTE offers advice, helpful documents, and other support at no cost to teachers faced with challenges to literary works, films and videos, drama productions, or teaching methods. NCTE’s Anti-Censorship efforts are currently only funded to provide a public service to members and nonmembers when they are facing challenges to literary works, films, and videos.</p>
<p><strong>Facing a challenge? </strong><a href="https://secure.ncte.org/forms/reportcensorship" shape="rect">Report A Censorship Incident</a> - to report an incident, or call Millie Davis, NCTE Senior Developer, Affiliated Groups and Public Outreach, directly at 800-369-6283, ext. 3634.</p>
<p><strong>Five Most Helpful Resources: The materials below have been identified by teachers as most useful in preventing and combating censorship.</strong></p>
<ul>
<li><a href="http://www.ncte.org/positions/statements/righttoreadguideline" shape="rect">Students&#8217; Right to Read</a>&#8211;Gives model procedures for responding to challenges, including &#8220;Citizen&#8217;s Request for Reconsideration of a Work.&#8221;</li>
<li><a href="http://www.ncte.org/positions/statements/selectingelamaterial" shape="rect">Guidelines for Selection of Materials in English Language Arts Programs</a>&#8211;Presents criteria and procedures that ensure thoughtful teacher selection of novels and other materials.</li>
<li><a href="http://www.ncte.org/action/anti-censorship/rationales" shape="rect">Rationales for Teaching Challenged Books</a>&#8211;Rich resource section included table of contents of NCTE&#8217;s Rationales for Commonly Challenged Books CD-ROM, an alphabetical list of other rationales on file, the SLATE Starter Sheet on &#8220;How to Write a Rationale,&#8221; and sample rationales for Bridge to Terabithia and The Color Purple.</li>
<li><a href="http://www.ncte.org/positions/statements/censorshipofnonprint" shape="rect">Guidelines for Dealing with Censorship of Nonprint Materials</a>&#8211;Offers principles and practices regarding nonprint materials.</li>
<li><a href="http://www.ncte.org/positions/statements/defendinginstrmethod" shape="rect">Defining and Defending Instructional Methods</a>&#8211;Gives rationales for various English language arts teaching methods and other defenses against common challenges to them.</li>
</ul>
<p><span style="color: #ff0000;"><strong>FROM ALA (http://www.ala.org/ala/aboutala/offices/oif/ifissues/censorshipchallenges.cfm):</strong></span></p>
<p>&#8220;A challenge is an attempt to remove or restrict materials, based upon the objections of a person or group. A banning is the removal of those materials. Challenges do not simply involve a person expressing a point of view; rather, they are an attempt to remove material from the curriculum or library, thereby restricting the access of others.</p>
<ul>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/archive/firstamendment.cfm">First Amendment Basics</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/basics/internationalintellectual.cfm">International Intellectual Freedom Basics</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/archive/americanlibrary.cfm" class="broken_link">American Library Basics</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/basics/international.cfm">International Library Basics</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/basics/basicrelatedlinks/newssources.cfm" class="broken_link">News Sources for Information about Censorship, Intellectual Freedom, and the First Amendment</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/archive/contactingelected.cfm">Contacting Elected Officials about Issues/Legislation Related to Intellectual Freedom</a></strong></li>
<li><a title="coalitions against censorship" href="http://www.ala.org/ala/issuesadvocacy/banned/challengeslibrarymaterials/challengereporting/coalitionsagainstcen/index.cfm" target="_self"><strong>Coalitions Against Censorship</strong></a></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/firstamendment/advocates/advocates.cfm">First Amendment Advocates</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/firstamendment/faresources/resources.cfm">First Amendment Resources</a></strong></li>
</ul>
<p><strong>ALA Policies and Statements on the Freedom to Read</strong></p>
<ul>
<li><strong><a href="http://www.ala.org/stufftobedeleted/work/freedom/lbr.xml" class="broken_link">Library Bill of Rights</a></strong></li>
<li><strong><a title="" href="http://www.ala.org/ala/issuesadvocacy/intfreedom/librarybill/interpretations/default.cfm" target="_self" class="broken_link">Interpretations of the Library Bill of Rights</a></strong></li>
<li><strong><a href="http://www.ala.org/alaorg/oif/lib_val.xml" class="broken_link">Libraries: An American Value</a></strong></li>
<li><strong><a href="http://www.ala.org/alaorg/oif/policies.xml" class="broken_link">Other ALA Policies, Procedures, Resolutions, and Guidelines Protecting the Freedom to Read</a></strong></li>
<li><strong><a href="http://www.ala.org/ala/aboutala/offices/oif/basics/alaintellectual.cfm">ALA Intellectual Freedom Policies and the First Amendment</a></strong></li>
<li><strong><a href="http://www.ala.org/alaorg/oif/freeread.xml" class="broken_link">The Freedom to Read Statement</a></strong></li>
<li><strong><a title="" href="http://www.ala.org/ala/issuesadvocacy/banned/bannedbooksweek/ideasandresources/activity_ideas/index.cfm" target="_self">Protecting the Freedom to Read</a> </strong></li>
</ul>
<p><span style="color: #ff0000;"><strong>FROM NCAC (http://www.ncac.org/resources):</strong></span></p>
<p>&#8220;NCAC works to empower individuals facing censorship as well as individuals wanting to know more about censorship issues. These resources will give you a deeper look into the legal structure of protected expression.</p>
<ul>
<li><a href="http://www.ncac.org/literature/bookcensorshiptoolkit.cfm" class="broken_link">Book Censorship Toolkit</a>&#8211;A great packet with information for parents, teachers, and school officials for fighting book censorship in schools.</li>
<li><a href="http://www.ncac.org/images/ncacimages/KR2R%2008-2010%20Report%20Web%20Copy.pdf" target="_blank">The Kids&#8217; Right to Read Project Report</a>&#8211;In the past couple of years the KRRP has confronted challenges and bans involving over 250 book tites in 28 states. This report details challenges and bans and how the KRRP responded to each.</li>
<li><a href="http://www.ncac.org/education/schools/index.cfm" class="broken_link">The First Amendment in Schools</a>&#8211;A collection of materials on the topic of censorship in schools for students, educators, and parents.</li>
<li><a href="http://www.ncac.org/graphicnovels.cfm" class="broken_link">Graphic Novels: Suggestions for Librarians</a>&#8211;A resource for librarians interested in creating a graphic novels section, adding graphic novels, and addressing concerns with graphic novels in libraries.</li>
<li><a href="http://www.ncac.org/education/related/Cyber_library.cfm" class="broken_link">Issues Facing Libraries in the High-Tech Era</a>&#8211;An in-depth look into the rights of minors, parents, and the role of the library as a public space in the age of the internet.</li>
<li><a href="http://www.ncac.org/links/links.cfm" class="broken_link">Online Resources</a>&#8211;A collection of links to government resources, free expression organizations, listserves and usenet newsgroups.&#8221;</li>
</ul>
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		<title>The Last Summer of the Death Warriors Wins Walden Award</title>
		<link>http://www.alan-ya.org/2011/06/the-last-summer-of-the-death-warriors-wins-walden-award/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-last-summer-of-the-death-warriors-wins-walden-award</link>
		<comments>http://www.alan-ya.org/2011/06/the-last-summer-of-the-death-warriors-wins-walden-award/#comments</comments>
		<pubDate>Mon, 27 Jun 2011 17:38:00 +0000</pubDate>
		<dc:creator>Ricki Ginsberg</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Walden Award]]></category>

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		<description><![CDATA[The Assembly on Literature for Adolescents (ALAN) of the National Council of Teachers of English (NCTE) is pleased and proud to announce the winner of the 2011 Amelia Elizabeth Walden Book Award for Young Adult Fiction.  Established in 2008 to honor the wishes of young adult author Amelia Elizabeth Walden, the award allows for the]]></description>
			<content:encoded><![CDATA[<p>The Assembly on Literature for Adolescents (ALAN) of the National Council of Teachers of English (NCTE) is pleased and proud to announce the winner of the 2011 Amelia Elizabeth Walden Book Award for Young Adult Fiction.  Established in 2008 to honor the wishes of young adult author Amelia Elizabeth Walden, the award allows for the sum of $5,000 to be presented annually to the author of a young adult title selected by the ALAN Amelia Elizabeth Walden Book Award Committee as demonstrating a positive approach to life, widespread teen appeal, and literary merit.  This year’s committee considered nearly 300 young adult titles during the selection process.</p>
<p>The 2011 Amelia Elizabeth Walden Award winner is:</p>
<p><strong><em><a href="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/06/last-summer-of-death-warriors.jpg"><img class="size-medium wp-image-943 alignleft" title="last summer of death warriors" src="http://www.alan-ya.org/wordpress/wp-content/uploads/2011/06/last-summer-of-death-warriors-198x300.jpg" alt="" width="198" height="300" /></a>The Last Summer of the Death Warriors </em></strong><strong>by Francisco X. Stork (Arthur A. Levine)</strong></p>
<p>When Pancho arrives at St. Anthony&#8217;s Home, he knows his time there will  be short:  If his plans succeed, he&#8217;ll soon be arrested for the murder  of his sister&#8217;s killer. But then he&#8217;s assigned to help D.Q., whose brain  cancer has slowed neither his spirit nor his mouth. D.Q. tells Pancho  all about his &#8220;Death Warrior&#8217;s Manifesto,&#8221; which will help him to live  out his last days fully&#8211;ideally, he says, with the love of the  beautiful Marisol. As Pancho tracks down his sister&#8217;s murderer, he finds  himself falling under the influence of D.Q. and Marisol, who is  everything D.Q. said she would be; and he is inexorably drawn to a  decision:  to honor his sister and her death, or embrace the way of the  Death Warrior and choose life.</p>
<p>Nuanced in its characters  and surprising in its plot developments&#8211;both soulful and funny&#8211;Pancho  &amp; D.Q. is a &#8220;buddy novel&#8221; of the highest kind:  the story of a  friendship that helps two young men become all they can be.</p>
<p><strong> </strong></p>
<p>&nbsp;</p>
<p><strong><em> </em></strong></p>
<p><strong><em> </em></strong></p>
<p><strong><em> </em></strong></p>
<p>The 2011 Amelia Elizabeth Walden Award finalists are:</p>
<ul>
<li><strong><em>After Ever After</em></strong><strong> by Jordan Sonnenblick (Scholastic Press)</strong></li>
<li><strong><em>I Will Save You </em></strong><strong>by Matt de la Peña (Delacorte Press)</strong></li>
<li><strong><em>Sorta Like a Rock Star </em></strong><strong>by Matthew Quick (Little, Brown and Company)</strong></li>
<li><strong><em>Wolves, Boys, &amp; Other Things That Might Kill Me </em></strong><strong>by Kristen Chandler (Viking)</strong></li>
</ul>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p>The authors of the winning title and the finalists will be invited to speak on a panel on<strong> Monday, November 21<sup>st</sup> at the 2011 ALAN Workshop in Chicago, Illinois. </strong> They will also be honored at an open reception immediately following the Monday sessions of the ALAN Workshop.  All Walden Award titles will be identified by an award sticker—gold for the winner and silver for the four finalists.</p>
<p>The Amelia Elizabeth Walden Award Committee would like to thank: the Amelia Elizabeth Walden Award Foundation; the ALAN Executive Council; the ALAN Board of Directors; NCTE; and the more than twenty publishers who submitted titles for consideration.</p>
<p>The 2011 Amelia Elizabeth Walden Award Committee was comprised of eleven members representing the university, K-12 school, and library communities.  They are:</p>
<ul>
<li>Teri Lesesne, Committee Chair Professor Department of Library Science, Sam Houston State University, Huntsville, TX</li>
<li>Daria Plumb, Past Chair Classroom Teacher Riverside Academy, Dundee, MI</li>
<li>Carolyn Angus Director George G. Stone Center for Children’s Books, Claremont Graduate University, Claremont, CA</li>
<li> Erica Berg Classroom Teacher Rockville High School, Vernon, CT</li>
<li>Jean Boreen Professor Department of English, Northern Arizona University, Flagstaff, AZ</li>
<li>Lois Buckman Librarian Caney Creek High School, Conroe, TX</li>
<li> Jeff Harr Classroom Teacher Theodore Roosevelt High School, Kent, OH</li>
<li>Jeff Kaplan Associate Professor College of Education, University of Central Florida, Orlando, FL</li>
<li>Diane Tuccillo Teen Services Librarian Poudre River Public Library District, Fort Collins, CO</li>
<li>Jennifer Walsh Classroom Teacher Forsythe Middle School, Ann Arbor, MI</li>
<li>Barbara Ward Assistant Professor Washington State University, Department of Teaching and Learning, Pullman, WA.</li>
</ul>
<p>&nbsp;</p>
<p>Daria Plumb, Past Chair</p>
<p>Classroom Teacher</p>
<p>Riverside Academy, Dundee, MI</p>
<p>&nbsp;</p>
<p>Carolyn Angus</p>
<p>Director</p>
<p>George G. Stone Center for Children’s Books, Claremont Graduate University, Claremont, CA</p>
<p>&nbsp;</p>
<p>Erica Berg</p>
<p>Classroom Teacher</p>
<p>Rockville High School, Vernon, CT</p>
<p>&nbsp;</p>
<p>Jean Boreen</p>
<p>Professor</p>
<p>Department of English, Northern Arizona University, Flagstaff, AZ</p>
<p>&nbsp;</p>
<p>Lois Buckman</p>
<p>Librarian</p>
<p>Caney Creek High School, Conroe, TX</p>
<p>&nbsp;</p>
<p>Jeff Harr</p>
<p>Classroom Teacher</p>
<p>Theodore Roosevelt High School, Kent, OH</p>
<p>&nbsp;</p>
<p>Jeff Kaplan</p>
<p>Associate Professor</p>
<p>College of Education, University of Central Florida, Orlando, FL</p>
<p>&nbsp;</p>
<p>Diane Tuccillo</p>
<p>Teen Services Librarian</p>
<p>Poudre River Public Library District, Fort Collins, CO</p>
<p>&nbsp;</p>
<p>Jennifer Walsh</p>
<p>Classroom Teacher</p>
<p>Forsythe Middle School, Ann Arbor, MI</p>
<p>&nbsp;</p>
<p>Barbara Ward</p>
<p>Assistant Professor</p>
<p>Washington State University, Department of Teaching and Learning, Pullman, WA</p>
<p>&nbsp;</p>
<p>For more information on the award, please visit <strong>ALAN Online: The Official Site of the Assembly on Literature for Adolescents </strong> <a href="../../">http://www.alan-ya.org/</a> .</p>
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			<coop:keyword><![CDATA[News]]></coop:keyword>
		<coop:keyword><![CDATA[Walden Award]]></coop:keyword>
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		<title>Book Blog &#8211; Bookends &#8211; Children’s Book Reviews &#8211; Booklist Online</title>
		<link>http://www.alan-ya.org/2011/06/book-blog-bookends-children%e2%80%99s-book-reviews-booklist-online/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=book-blog-bookends-children%25e2%2580%2599s-book-reviews-booklist-online</link>
		<comments>http://www.alan-ya.org/2011/06/book-blog-bookends-children%e2%80%99s-book-reviews-booklist-online/#comments</comments>
		<pubDate>Sat, 18 Jun 2011 14:41:18 +0000</pubDate>
		<dc:creator>David Macinnis Gill</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.alan-ya.org/?p=924</guid>
		<description><![CDATA[Book Blog &#8211; Bookends &#8211; Children’s Book Reviews &#8211; Booklist Online. 
Cindy and Lynn: We all know we are not supposed to  judge a book by its cover, but we all do. Our students do and it  certainly influences us. We get really irritated (and so do our teens)  when the cover art]]></description>
			<content:encoded><![CDATA[<p><a href="http://bookends.booklistonline.com/">Book Blog &#8211; Bookends &#8211; Children’s Book Reviews &#8211; Booklist Online</a>. <strong></strong></p>
<p><strong>Cindy and Lynn</strong>: We all know we are not supposed to  judge a book by its cover, but we all do. Our students do and it  certainly influences us. We get really irritated (and so do our teens)  when the cover art does not accurately portray the contents of the  book. We understand that marketing is the primary motivator, but we  don’t care–we want the illustration to match the author’s text. Here  are ten 2011 titles that make us want to read them due to the fabulous  cover art…</p>
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		<title>2011 ALAN Workshop Authors Announced!</title>
		<link>http://www.alan-ya.org/2011/04/2011-alan-workshop-authors-announced/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2011-alan-workshop-authors-announced</link>
		<comments>http://www.alan-ya.org/2011/04/2011-alan-workshop-authors-announced/#comments</comments>
		<pubDate>Mon, 11 Apr 2011 17:18:43 +0000</pubDate>
		<dc:creator>Wendy Glenn</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Slides for Homepage]]></category>
		<category><![CDATA[#alan11]]></category>

		<guid isPermaLink="false">http://www.alan-ya.org/?p=814</guid>
		<description><![CDATA[**Changes to ALAN Workshop program:
&#8211;Andrew Peters won&#8217;t be able to attend ALAN. However, Scholastic Jennifer Nielsen will be taking his place.  Jennifer is the author of The False Prince, a fantastic medieval mystery adventure.
&#8211;Maureen Johnson will not be able to attend ALAN this year as planned.  We will miss her!  Elizabeth Scott (Simon and Schuster) has graciously]]></description>
			<content:encoded><![CDATA[<p>**Changes to ALAN Workshop program:<br />
&#8211;Andrew Peters won&#8217;t be able to attend ALAN. However, Scholastic Jennifer Nielsen will be taking his place.  Jennifer is the author of The False Prince, a fantastic medieval mystery adventure.<br />
&#8211;Maureen Johnson will not be able to attend ALAN this year as planned.  We will miss her!  <strong>Elizabeth Scott</strong> (Simon and Schuster) has graciously agreed to serve in her stead in the Dynamic Duo session, &#8220;Chick lit with a conscience,&#8221; scheduled with Abby McDonald on Monday afternoon from 3:25-3:50.**</p>
<p>The 2011 ALAN Workshop will be hosted at the Chicago Hilton from November 20-22 and will continue the tradition of celebrating the very best of young adult literature.  This year’s lineup is wonderful indeed:</p>
<p>M.T. Anderson will deliver the keynote address at the Workshop, and Jacqueline Woodson will serve as the 2011 ALAN Breakfast speaker (Saturday morning, November 19, during NCTE).</p>
<p>Several fantastic authors will speak on Monday, including Angela Johnson, Walter Dean Myers, Janet Tashjian, Sean Beaudoin, John Green, Matt de la Peña, Leslie Margolis, Andrew Peters, Sarah Weeks, Rita Williams-Garcia, Sarah Dessen, Lauren Myracle, Cheryl Rainfield, Andrew Smith, Paul Yee, Kazu Kibuishi, Maureen Johnson, Abby McDonald, and Laurie Halse Anderson.  The evening will conclude with a reception honoring the finalists for the Amelia Elizabeth Walden Award (AEWA)—Kristen Chandler, Matt de la Peña, Matthew Quick, Jordan Sonnenblick, and Francisco X. Stork.</p>
<p>Tuesday will feature an equally impressive collection of authors, including Chris Crutcher, Cara Chow, Sharon Draper, J.L. Powers, Matthew Quick, Kenneth Oppel, Jennifer Donnelly, Neal Schusterman, Coe Booth, B.A. Binns, Simone Elkeles, Stephanie Perkins, Sara Zarr, Jay Asher, Carolyn Mackler, James Dashner, Megan McCafferty, Veronica Roth, Dom Testa, Katie Alender, Beth Fantaskey, Michelle Hodkin, Thanhha Lai, and David Levithan.</p>
<p>The Workshop will begin with a cocktail reception on Sunday evening where attendees can mingle and chat with participating authors over wine and light snacks.  Monday sessions will be held from 8:00 am to 5:00 pm, with the AEWA reception following from 5:15-6:15 pm.  Tuesday sessions will be held from 8:00 am to 4:00 pm.  We encourage participants to attend the full workshop to avoid missing any worthwhile presentations.  Space is limited to 500 attendees; registration is now open at www.ncte.org.</p>
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